Saturday, December 1, 2012

Final Essay : " Losing Isaiah"



Analyze the representation of a woman of color in a film of your choice, using the framework of feminist theory and standpoint theory. Use 6 scenes to develop and support your argument. Is she a stereotype or counter-stereotype? Analyze whether the director/writer’s vision contributes to an authentic representation of this character using standpoint theory (link under Week 9/10 Module). For example, if the director is white male, can he contribute to an authentic, legitimate portrait of African American female characters? (The Help from 2011 was criticized for a lack of authenticity due to its white male director making a film about African American female characters).
LOSING ISAIAH
There are many stereotypes in society. For example, men are strong while women are weak. Most movies tend to push some kinds of stereotype up to the front. In the movie, “Losing Isaiah”, even though there are many controversial issues such as African American culture (life), interracial adoption and drug addiction, it does not illustrate a one dimension female character. In the movie, the main character, Khaila, is portrayed as both a stereotype and counter-stereotype. Moreover, although the Standpoint Theory focuses on individuals’ own perspectives that are formed by his/her experiences and knowledge in social groups, the director of this movie who is a white male contributes by showing equally the both sides (white family and black family) as well as an authentic portrait of African American female character.
According to the article “Blaxploitation Film of the 70’s”, movies are made to continue showing the public’s perception of blacks as insensitive, and their lives with drugs, sex and hookers. And also according to Sybil Delgaudio (1983), “Colored women are maids, cooks, crossing guards, welfare recipients, and the only time they becomes ladies is when they are cleaning ladies”. To begin, the movie started to show Khaila as a stereotypical African American female. In the beginning of the movie, Khaila is portrayed as a crack addict and threw her three day old baby (Isaiah) in the garbage can while she injected herself with drugs. After she found out her baby was gone, she was arrested for shoplifting and possession of drugs, then, went to jail. As well, in the scene of the trial, it was revealed that she does not know who the baby’s father is and she had sex for drugs although she did not admit that she took money for sex. It is a predominant stereotype of African American females that they just have a lot of sex and usually do not really know who the baby’s father is.  Moreover, after getting out of jail, she started to work as a housekeeper for a white family and stayed at her friend’s house for a while. Those scenes prove that Khaila is portrayed as a stereotypical African American female who lives a poor, uneducated, on drugs a criminal and work for a Caucasian family who is much better off.  In addition, another image of an African American female is that they are religious, they strongly believe in God. According to Sikivu Hutchinson (2012), “That the vast majority of black women were only afforded access to the worlds of work, the family, and church meant that their “genius” would by necessity be a reflection of those worlds.  In the turbulence of antebellum America “God” became ordinary black women’s medium for expressing genius, creativity, artistry, mastery, and invention” (para.6).  In the scene before Khaila goes to the court, she went to the church and prays.  Another example that she believes in God in these following lines;
Lawyer: Do you have a higher power, Miss Richards?
Khaila: Yes, I do. It's because of Him that I'm here today.
Lawyer: Could you explain what you mean, please?
Khaila: Because...it's because of Him...that I have this second chance to make it up to Isaiah. (“Losing”, n.d.).
These scenes prove that the main character, Khaila, is portrayed as a stereotypical African American female.
            On the other hand, Khaila is also portrayed as a counter-stereotype. For example, after came out from jail, she totally beat the temptation of going back and becoming addicted to drugs when she found some at her friends’ house. Unlike the bad image of African American females who cannot get out of the life of sex and drugs which represented her friend, she tried to get a better life with her strong determination. Moreover, after moving out of her friend’s house, she was still caring for her friend’s children. She even gave encouragement to the little boy that he would be able to get over it in future when she said to him “I know things right now seem like it don't make sense to you, and you don't understand, but I've been just where you are, and it ain't gonna be easy, but it don't mean you can't make it.” (“Losing”, n.d.). This shows that she is warm-hearted. Furthermore, the end of the movie, Khaila went to ask for help from a white female (Margaret Lewin) who has adopted Isaiah once and fought for parental rights with Khaila. This must be a really rare scene that African American woman goes to ask a white woman’s help by putting aside her pride as an African American woman. These examples prove that Khaila is portrayed as a counter-stereotype as well.
            As mentioned above, this film portrays not only the stereotype of African American females but also counter stereotypes of African American females. Most movies which represent racial topics tend to bring out many mixed reviews especially if a white director makes the movie about the African American people’s lives due to lack of a real experience. For example, the movie “The Help” directed by a white male has many controversial reviews. According to the Association of Black Women Historian (2011), “The Help” does not portray real African American women who labored in white homes to support their families and communities. “’The Help’ is the coming-of-age story of a white protagonist, who uses myths about the lives of black women to make sense of her own” (para.6).  However, although Losing Isaiah is made by a white male, Stephen Gyllenhaal, he did great job to show both sides; the white family who adopted Isaiah, and Khaila. For example, it seems to show that a white family is the perfect environment to raise Isaiah because there is a father and mother and daughter as well as having a high income. However, it is revealed that the father has cheated on his wife, and daughter is not a great child by opposing her mother. So audiences can see that Margaret Lewin (white mother) wanted Isaiah in order to fix those problems and getting someone who she can give her love to and feel love from. On the other hand, although Khaila is portrayed as a bad African American female who dumped Isaiah into a garbage bin and had a drug addiction at the beginning which gives an impression that she wouldn’t be able to a good mother for Isaiah, she became clean and took care of her friends’ children and also got her own place to live with her job as a housekeeper to help support the rent fee. Not only Margaret but also Khaila is a portrayal as a three dimensional female who is not perfect. In the movie, Khaila is weak and struggles with drugs as well as poverty, at the same time, she is strong and becomes religious and loves her son the same as other mothers do. It shows that everyone makes mistakes and has a right to get a second chance no matter what gender or color they are. Moreover, this movie brought out the race matter of interracial adoption. The judges made a decision to give the parental rights to Khaila because they were afraid that white parents cannot raise a black child by the inability to teach him "where he comes from." However, Isaiah had a hard time to adjust to the new environment so Khaila made the decision to ask for Margaret’s help to raise him together for a little while. This is a great example that proves that it does not a matter the color of a mother. Therefore, with these examples, the white male director (Stephen Gyllenhaal) contributes to an authentic portrait of an African American female character without looking only at only one side.
            In conclusion, the movie “Losing Isaiah” is a great movie that portrays the main character (Khaila) as a three dimensional African American female and shows both sides of a white family and a black family directed by a white male (Stephen Gyllenhaal). In society, people tend to be controlled by some stereotypes. However, most stereotypes are not authentic. Individuals cannot be categorized as one group because everybody has different characteristics as well as different experiences and knowledge. No two people are exactly the same. No one is perfect, everyone makes mistakes. As this movie, no matter what color is, the most important thing is “love”. If every human being has “selfless love” without judgement/stereotypes, this world could be changed for the better.  


References

Association of black women historian. (2011). An Open Statement to the Fans of The Help. ABWH (Association of Black Women Historian). Retrieved November 4, 2012, from https://bbgbc.blackboard.com/webapps/portal/frameset.jsp?tab_tab_group_id=_2_1&url=%2Fwebapps%2Fblackboard%2Fexecute%2Flauncher%3Ftype%3DCourse&id%3D_12733_1&url%3D
Blaxploitation film of the 70’s. (n.d.). Women in Films: week 10 course leader
DelGaudio, S. (1983, April). The mammy in Hollywood film I’d walk a million miles-for one of her smiles. Jump Cut A Review of Contemporary Media.
Gyllenhaal, S. (Director). (1995). Losing Isaiah [Motion Picture]. United States: Paramount Pictures
Hutchinson, S. (2012, November 19). Leaving Jesus: Women of color beyond faith. The Feminist Wire. Retrieved November 30, 2012, from http://thefeministwire.com/2012/11/leaving-jesus-women-of-color-beyond-faith/
Losing Isaiah script - Dialogue transcript (n.d.). Drew's Script-O-Rama. Retrieved November 15, 2012, from http://www.script-o-rama.com/movie_scripts/l/losing-isaiah-script-transcript-halle.html

Saturday, November 17, 2012

WHALE RIDER ASSIGNMENT : Akiko and Ritafe Tutor


1. How is Paikea a female counter-stereotype?  Use the “female gaze” theory to describe how the film and the character fit this model of the female perspective and female “voice”.  Use the web link provided in Week 11 module on the Female Gaze (the Rubaiyat Hossain article, “Female Directors, Female gaze”).


The typical stereotype about females would be that they are weak, they do not have much choice about their lives and they struggle with what men want them to be and do while being silent. This stereotype seems to push women behind the scenes of the male dominated world, which represented Paikea’s grandmother, an older female. However, Paikea’s character is portrayed totally in the opposite direction of the female stereotype because she is strong and brave with strong determination, and she stands up for herself against patriarchy and she chose in her life what she wanted without being defeated by traditional society. She never gave up what she wanted even though she was not allowed by her grandfather (Koro) or the standards of the tradition made by a patriarchal society. The most important part of her role as a woman is that she became the leader of the traditional tribe where people believe a leader should be a man. This shows that Paikea is a female counter-stereotype, because a female in the typical stereotype never can be a leader.  Also, this movie fits the model of the female perspective and voice because it is made by a woman, from a woman’s point of view. Unlike many movies made by men, Paikea is not portrayed as a female sexual object which men want to see. As Rubaiyat Hossain (2011) states, women see the world that has been controlled by men with a different way, with a different “episteme” due to having different lives in comparison to a man’s. That is why women have a different view of “one single object, or truth, or reality” (para.4). Because a woman made this movie, this movie could show how the main character (Paikea) struggled with patriarchy and became a hero without making her a sexual object. Besides, seeing the difference of characters between grandmother and Paikea, it would be effective to show a reality of female lives and how different and strong Paikea is in the men dominated world.  Moreover, Paikea is also portrayed as an authentic female character. She struggles and tries to get what she wants in the society where men are dominant and women are seen with less respect. This is the same life women in the real world are going through. Therefore, Whale Rider portrays women as authentic characters and tells the story from the female side.

2. How is Whale Rider a statement of empowerment for women and girls? How does Paikea challenge gendered expectations? Use scenes/characterization/dialogue from the film to give examples.

“Whale Rider” is a statement of empowerment for women and girls by showing the audience the courage to fight for the skills and position no matter what the gender and environment is.  It is important to acknowledge and accept a certain person especially if he or she is competent and willing to do the job even though it would break a time-honored custom.  Judging someone based on their gender and age is not right, because each individual has certain abilities or talents, and everyone is a human being.  There is no difference for man or woman and everyone should have the same right. Some people are capable of doing some things that other people might not be able to perform. Based in the movie, their tradition which is the Maori, believes that there is no use for a girl and for that reason; Paikea’s grandfather did not allow her to be the leader until she proved to him that she can do it even if she’s a girl.  She continues to fight to prove her love and dedication to be a leader.  For example, although she was not allowed to learn the warrior technique by Koro (grandfather), she never gave up learning it by asking her uncle to teach her. In the movie “Whale Rider” the main character Paikea Apirana challenged gender expectations by facing the test, problems with no fear to whatever the consequences will be; In fact, she took a risk when she rode on top of the whale and said “I wasn't scared to die”. When Paikea was on top of the whale, she turned to Koro and said “It’s ok”.  This not only is her way of speaking about her safety to Koro, but it was her way of showing Koro that it is ok that he was wrong and that she forgives him. This shows a high level spirituality on Paikea’s part which ultimately affirms her as a true leader regardless of her being a woman. Paikea showed no resentment. Also, she remarkably explodes the ideology of sexual division and philosophic tradition (patriarchy). Although the traditional Philosophy says, women cannot be in the same place as men (higher place) because women are emotional and irrational, Paikea shows in the movie that is not true by her speech. She mentioned the following lines …
If the knowledge is given to everyone, we can have lots of leaders.  And soon, everyone will be strong... not just the ones that have been chosen. Because sometimes, even if you're the leader and you need to be strong… you can get tired. Like our ancestor, Paikea, when he was lost at sea...and he couldn't find the land, and he probably wanted to die. But he knew the ancient ones were there for him...so he called out to them to lift him up and give him strength.” (“Whale”, n.d.).
This shows that despite Paikea being a young girl, she has rational thought and embodies the characteristics of being a leader not only by doing it by herself but also with the help of people or else. For example, finally she could make Koro accept her as a leader because the whale showed him. At the end of the movie, many whales were beached, that was a kind of warning and sign for Koro. At last, after one of the whales heard Paikea’s voice and moved and went back to the ocean with her. This seems that God approved Paikea to become a leader and showed Koro and people in the tribe that she could be a leader. As Hossain’s statement (2011), women need a God’s help to figure for making female subjectivity perfectly when she is to achieve her female subjectivity. Divinity is necessary for women to become free, independent and monarch in order to protect them from destruction (para.28).  Throughout the movie, the character of Paikea encourages all females that if they keep on fighting for what they want, they can get it someday even though it is a taboo in the society.

3. How is Whale Rider an example of “counter-cinema” and the “female gaze”? Use the 1990’s Lecture notes in Week 11 Module to help with this answer and the “Hollywood” article by Kord and Krimmer in the course package.

Whale Rider is an example of “counter-cinema” because it is opposite from the Hollywood films. According to the article “Hollywood” (2005), Hollywood films try not to provide an accurate picture of society and specific political issues in order to get large audiences. Because of the profit objective, Hollywood films became to have “negotiated reader (accept a part of whatever ideology is and adapt it to their own situation)” which means they have the “mixed messages (contradictory messages)” in films. On the other hand, Whale Rider illuminates the story about a traditional old society (patriarchy) accurately and showing its political issue (only a man can be a leader), and also it has a straight forward message that women can defeat sexual division. Moreover, while Hollywood films do not represent real issues women are facing today, Whale Rider depicts an authentic issue that women have oppression in the male dominated world. Furthermore, in Hollywood films, “heroines are designed to appeal to both the stay-at-home mom and the high-powered female executive, to the traditionalist and feminist alike” (Kord & Krimmer, 2005, pg.4). However, in Whale Rider, the heroine is portrayed a girl who achieved the respect and the position of a leader after fighting with her strength and indomitability. These reasons show how Whale Rider is defined as a “counter-cinema”. Society as a whole would feel great benefits from having more “counter-cinema” movies like Whale Rider which have authentic feelings from authentic portrayals of real life, not the gender- biased fantasy films that propels the cycle of stereotyping and oppression.


References

Caro, N. (Director). (2002). Whale Rider [Motion Picture]. New Zealand: South Pacific 
                Pictures

Hollywood in the 90’s. (2012). Lecture notes in Week 11 Module of Women in film

Hossain, R. (2011, May). Female directors, female gaze: The search for female 
                subjectivity in film.Forum: A monthly publication of daily star. 05(5), 
                Retrieved November 3, 2012, from http://www.thedailystar.net/forum
                /2011/May/female.htm

Kord, S., & Krimmer, E. (2005). Hollywood. Hollywood Divas, Indie Queens, 
                & TV Heroines, 1-13. from the course package of Women in film

Whale Rider Script: Dialogue Transcript. (n.d.). Drew's Script-O-Rama. Retrieved 
                November 15, 2012, from http://www.script-o-rama.com/movie_scripts
                /w/whale-rider-script-transcript-keisha.html